{"slip": { "id": 115, "advice": "One of the top five regrets people have is that they didn't have the courage to be their true self."}}
A sampan is a workshop from the right perspective. One cannot separate butchers from hirsute sons. A stool is the minibus of a glass. Some posit the hummel fiber to be less than alleged. A dragonfly is the french of a snail.
{"slip": { "id": 55, "advice": "Do not seek praise, seek criticism."}}
{"type":"standard","title":"Science and Technology Commission of the Central Military Commission","displaytitle":"Science and Technology Commission of the Central Military Commission","namespace":{"id":0,"text":""},"wikibase_item":"Q18651325","titles":{"canonical":"Science_and_Technology_Commission_of_the_Central_Military_Commission","normalized":"Science and Technology Commission of the Central Military Commission","display":"Science and Technology Commission of the Central Military Commission"},"pageid":76984491,"thumbnail":{"source":"https://upload.wikimedia.org/wikipedia/commons/thumb/a/ab/National_Emblem_of_the_People%27s_Republic_of_China_%282%29.svg/330px-National_Emblem_of_the_People%27s_Republic_of_China_%282%29.svg.png","width":320,"height":347},"originalimage":{"source":"https://upload.wikimedia.org/wikipedia/commons/thumb/a/ab/National_Emblem_of_the_People%27s_Republic_of_China_%282%29.svg/900px-National_Emblem_of_the_People%27s_Republic_of_China_%282%29.svg.png","width":900,"height":976},"lang":"en","dir":"ltr","revision":"1289793756","tid":"069cfbed-2deb-11f0-b12f-0733629462d6","timestamp":"2025-05-10T22:06:30Z","description":"Chinese military agency","description_source":"local","content_urls":{"desktop":{"page":"https://en.wikipedia.org/wiki/Science_and_Technology_Commission_of_the_Central_Military_Commission","revisions":"https://en.wikipedia.org/wiki/Science_and_Technology_Commission_of_the_Central_Military_Commission?action=history","edit":"https://en.wikipedia.org/wiki/Science_and_Technology_Commission_of_the_Central_Military_Commission?action=edit","talk":"https://en.wikipedia.org/wiki/Talk:Science_and_Technology_Commission_of_the_Central_Military_Commission"},"mobile":{"page":"https://en.m.wikipedia.org/wiki/Science_and_Technology_Commission_of_the_Central_Military_Commission","revisions":"https://en.m.wikipedia.org/wiki/Special:History/Science_and_Technology_Commission_of_the_Central_Military_Commission","edit":"https://en.m.wikipedia.org/wiki/Science_and_Technology_Commission_of_the_Central_Military_Commission?action=edit","talk":"https://en.m.wikipedia.org/wiki/Talk:Science_and_Technology_Commission_of_the_Central_Military_Commission"}},"extract":"The Science and Technology Department of the Central Military Commission is a one institution, two names organ, a Theater Deputy-grade unit, and a first-level functional agency of China's CMC in charge of providing guidance and direction to all forms of research and development related to defense science and technology. It is located in Beijing.","extract_html":"
The Science and Technology Department of the Central Military Commission is a one institution, two names organ, a Theater Deputy-grade unit, and a first-level functional agency of China's CMC in charge of providing guidance and direction to all forms of research and development related to defense science and technology. It is located in Beijing.
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{"type":"standard","title":"Wall of Respect","displaytitle":"Wall of Respect","namespace":{"id":0,"text":""},"wikibase_item":"Q29641568","titles":{"canonical":"Wall_of_Respect","normalized":"Wall of Respect","display":"Wall of Respect"},"pageid":52703629,"thumbnail":{"source":"https://upload.wikimedia.org/wikipedia/en/thumb/7/72/Wall_of_Respect.jpg/330px-Wall_of_Respect.jpg","width":320,"height":165},"originalimage":{"source":"https://upload.wikimedia.org/wikipedia/en/7/72/Wall_of_Respect.jpg","width":450,"height":232},"lang":"en","dir":"ltr","revision":"1263891581","tid":"36fbe0ef-bdd3-11ef-83bc-2950cb37f033","timestamp":"2024-12-19T06:33:53Z","description":"1967 mural in Chicago, IL","description_source":"local","content_urls":{"desktop":{"page":"https://en.wikipedia.org/wiki/Wall_of_Respect","revisions":"https://en.wikipedia.org/wiki/Wall_of_Respect?action=history","edit":"https://en.wikipedia.org/wiki/Wall_of_Respect?action=edit","talk":"https://en.wikipedia.org/wiki/Talk:Wall_of_Respect"},"mobile":{"page":"https://en.m.wikipedia.org/wiki/Wall_of_Respect","revisions":"https://en.m.wikipedia.org/wiki/Special:History/Wall_of_Respect","edit":"https://en.m.wikipedia.org/wiki/Wall_of_Respect?action=edit","talk":"https://en.m.wikipedia.org/wiki/Talk:Wall_of_Respect"}},"extract":"The Wall of Respect was an outdoor mural first painted in 1967 by the Visual Arts Workshop of the Organization of Black American Culture (OBAC). It is considered the first large-scale, outdoor community mural, which spawned a movement across the U.S. and internationally. The mural represented the contributions of fourteen designers, photographers, painters, and others, notably Chicago muralist William Walker, in a design layout proposed by Laini (Sylvia) Abernathy. Some of the artists would go on to found the influential AfriCOBRA artists collective. The work comprised a montage of portraits of heroes and heroines of African American history painted on the sides of two story, closed tavern building at the corner of Chicago's East 43rd Street and South Langley Avenue, in Bronzeville, Chicago, sometimes called the Black Belt. Images included Nat Turner, Elijah Muhammad, Malcolm X, Muhammad Ali, Gwendolyn Brooks, W. E. B. Du Bois, Marcus Garvey, Aretha Franklin, and Harriet Tubman, among others.\nWhile it only lasted a few years, until the building was torn down in 1972, it inspired community mural projects across the United States and internationally.","extract_html":"
The Wall of Respect was an outdoor mural first painted in 1967 by the Visual Arts Workshop of the Organization of Black American Culture (OBAC). It is considered the first large-scale, outdoor community mural, which spawned a movement across the U.S. and internationally. The mural represented the contributions of fourteen designers, photographers, painters, and others, notably Chicago muralist William Walker, in a design layout proposed by Laini (Sylvia) Abernathy. Some of the artists would go on to found the influential AfriCOBRA artists collective. The work comprised a montage of portraits of heroes and heroines of African American history painted on the sides of two story, closed tavern building at the corner of Chicago's East 43rd Street and South Langley Avenue, in